解读纳博科夫和博尔赫斯作品中的无穷极限

A Study of the Infinite in Nabokov＇ s and Borges＇s Works

后现代派作家超越了传统的审美内涵，从而使不同于现代美学的后现代文学的审美内涵得以深化和扩展。在后现代派作家的艺术世界里，纳博科夫和博尔赫斯故意模糊文学与哲学、文学和文化等之间已有的传统界线。他们摒弃历史、命运的视角来探讨人生，而选择不同寻常的诡秘哲学来影射迷宫人生，因此从二人的作品中升腾起具有哲理内涵的新型的后现代文学审美。同时二人有意无意沿用了希腊哲学家芝诺的运动悖论，由此衍生出的无穷极限和圆形的迷宫世界观，都呈现出后现代文学的特殊的审美内涵。

The postmodemism aesthetic has been extended and deepened as a result of the traditional aesthetics being broken through. As postmodernism novelists, Nabokov and Borges created their novels by way of blurring the lines between literature and philosophy, literature and culture ect. They explore the meaning of life not by the history and fate, but by unusual paradoxes in their labyrinth＇ life. Therefore there are postmodem aesthetic features rising in their works. They also take advantage of Zeno＇ s paradoxes, from which the infinite and circle-shaped Labyrinth are originated in the postmodem aesthetic.