摘要
通过对王安忆的两部作品《长恨歌》和《富萍》的分析,试图表达对社会中女性的一种关切、理解和期望,说明女性话语与文化面对庸常的男性是坚韧的,面对男权传统是反抗的、质疑的,但是,女性话语与文化在现实中,确实是一种天然缺失的状态,从而进一步揭示男权传统中女性自我缺少真正的文化内涵与防护界限的事实。
This paper analyzes Everlasting Regret and Fuping written by Wang An'yi from the aspects of concern, understanding and expectation of female characters in the modern society. It argues that women's discourse and culture are rigid in the face of vulgar men, and they discredit and rebel the patriarchic tradition. However, in reality, women's discourse and culture in the modern life assures the inherent scarcity, which demonstrates the scarcity of women's selfhood culture and ego-defense in the patriarchic tradition.
出处
《中北大学学报(社会科学版)》
2006年第5期26-30,共5页
Journal of North University of China:Social Science Edition
关键词
王安忆
女性
男权
Wang An'yi
female
patriarchic