摘要
20世纪90年代以来余华一改其冷漠阴郁的风格而变得温情脉脉。《活着》、《许三观卖血记》和《兄弟》讲述的就是苦难中的温情和温情地受难。不同于早期作品中符号性、寓言性的人物,作者塑造了三个典型形象——富贵、许三观和宋凡平,并在其中寄托了他对人性的美好想象。
Vu Hua＇s nearly works Brother, Lives and the Selling Blood Record of Xu Sanguan all narrated a related misery story, and has portrayed Song Fanping, Xu Fugui and Xu Sanguan three victim images. Yu hua has reposed his optimistic imagination about the human nature on the three masculine leading characters. This article attempts to analyze and compare the three male typical characters from the angles of the father, the family as well as their different ways to face the misery.
出处
《湖南城市学院学报》
2006年第5期52-54,共3页
Journal of Hunan City Univeristy
关键词
父性重塑
救世主
苦难意识
乐感文化
the father remoulds
the Savior
misery consciousness
comfort-oriented culture
