光源氏——世界文学“多余人”形象的雏形

Hikaru Genji——an Embryo of "Superfluous Man" Image in World Literature

文学现象是社会现象的反映。规律性的社会现象的出现虽然会因国家、民族、地区的社会发展阶段不同而有迟早之分,但它不会违背规律形成空白。因此,从世界范畴看,19世纪俄罗斯贵族文学时期以奥涅金为代表的“多余人”群体形象的出现并非一个偶然的文学现象,也就是说,如果我们遵循事物发展的客观规律,立足于“多余人”形象的一般特征和基本性质,我们会惊讶地发现,“多余人”形象绝非俄罗斯文学的专利,早在11世纪的东亚文坛就已浮现出了一位颇具“多余人”特质的早期文学形象———光源氏。

Literary phenomena reflect social realities. Appearance sequence of regular social phenomena varies from countries, peoples to regions, according to their development, and will never violate historical law to leave any vacancy. Therefore, in a world view, it was not a coincidence that ＂superfluous man＂ group with the representative Onegin emerged in the aristocrat literary period of the 19th century. In other words, if following objective law and focusing general character and basic property of ＂superfluous man＂ image, we will astonishingly find that such image not merely belongs to Russian literature, and another one has been de- scribed as early as the 11 th century of East Asia literary world Hikaru Genji.