摘要
通过分析郭祖荣不同时期的三首艺术歌曲的伴奏音乐,探究其和声语汇、调式调性和伴奏织体不断探索、不断创新的轨迹,为今天的伴奏音乐创作提供参照。
Through the analysis of Guo Zu-rongs' three accompaning musics in different periods, this paper explores the non-stopping exploration and innovation track of their harmonic vocabulary, modal tonality, and the accompanying style. It is hoped that the discussion in this paper will provide the reference to the creation of the accompanying music today.
出处
《三明学院学报》
2006年第1期101-104,共4页
Journal of Sanming University
关键词
艺术歌曲
伴奏织体
和声语汇
调式调性
artistic songs
accompanying system
harmonic vocabulary
modal tonality