摘要
启功先生的书学思想,集中体现在论书绝句中。其一以贯之的思想是:无论北碑、唐碑、阁帖,凡学书以刻本为范时均存在一个“透过刀锋看笔锋”的问题。这一观点旨在寻本求真,具有方法论意义。
The calligraphy ideas of Qi Gong are mo stly expressed in his poems about writing,he held co nsistently that there always exists an issue of eeing through the style of the graver to see that of writing i n spite of northern inscriptions,Tang inscriptions and copybook while copying block-printed editions. The a im of this opinion expects to inquire deeply into the es sence of the calligraphy,which has methodological s ignificance.
出处
《南京艺术学院学报(美术与设计)》
北大核心
2006年第4期59-61,共3页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
启功
刀锋
笔锋
书学思想
方法论意义
Qi Gong
style of the graver
style of the writing,ideas of writing
methodological significance