“沉默鲁迅”(1909—1917)思想建构的一份补证——对《怀旧》及鲁迅相关日记的细读性分析

A Supplementary Argumentation for the Thought Construction of“Silent Lu Xun”——As a Detailed Analysis of Nostalgia and the Related Diary of Lu Xun

此文是对笔者以《示众》为契机摄取到的关于《呐喊》、《彷徨》一种意义结构的补充论证,笔者认为,在“沉默鲁迅”的《怀旧》以及日记(1912年至1917年)中同样可以看到在《示众》和《呐喊》、《彷徨》的其他作品中存在的一种意义结构,即《呐喊》、《彷徨》富于层次地呈现着鲁迅审视下的20世纪中国现实——一个“生民苦难—社会黑暗—生命虚无”的世界。笔者认为鲁迅的这一思想建构虽则显露在他1918年后的文本中,但却生成于鲁迅的“沉默”时期。

This article is a supplementary argumentation for the meaning structure of Call to Arms and Nostalgia. The writer of the paper holds that in ＂Silent Lu Xuns＂ Nostalgia and his related diaries between 1912 and 1916, there also exists a kind of meaning structure which is shown in Pillory, Call to Arms, and Wandering. That is to say, Call to Arms and Wandering present a 20th century China reality under Lu Xun＇ s survey——a world of suffering people ——dark society -void life. The writer believes that, though, this thought construction appeared in his texts after 1918, but was born earlier in Lu Xun＇ s ＂silent＂ period.