摘要
孔尚任在《桃花扇》中塑造了不同类型的武将形象,他主要是以"忠"为标准来划分剧中武将的。在剧作中,他热情赞扬了"左史黄"等忠义勇猛之将,强烈批判了高杰和"二刘"等骄横叛降之将。他清醒地看到"有明三忠"所作出的种种努力,对于挽救南明已是无济于世,南明的灭亡是历史的必然。
Kong Shangren modeled a series of warrior images in Peach Blossom Fan. He mainly used the criterion of loyalty to differentiate the warriors in the play. He enthusiastically glorified the devotion the loyal warriors tried to retrieve the Ming Dynasty and at the same time he realized their devotion was of no avail to Nan Ming and the ruin of Nan Ming was historically inevitable.
出处
《陇东学院学报(社会科学版)》
2006年第3期11-14,共4页
Journal of Longdong University :Social Science Edition