“情本”与“情空”——《红楼梦》诸艳的宗教修养与宝玉出家的对比性研究

The Root of Affection and the Emptiness of Affection——Contrastive Study on the Religious Culture of Various Girls in "The Dream of Red Mansion" and Baoyu's Becoming a Monk

佛教中涅般木解脱目标的基础,是出离心和大悲心。以此为切入点,文章旨在探讨红楼诸艳的宗教态度和佛学修养,及其与宝玉参禅悟道、出家解脱的联系和差异性。宝玉出家体现了与佛教原始宗旨较为接近的修行理念,与其相呼应的,是有小乘气息的惜春,红楼诸艳中大多数人的学佛态度,并非真正的宗教浸润,而是士大夫式的佛学文化与禅悦。

The foundation of Nirvana in Buddhism is Debeixin and Chulixin. With this point, this article aims to discuss the connection and difference between Baoyu＇s Buddhist meditation and entering into religion and the girls＇ religious attitude and the Buddhist culture. Alike Xichun＇s steele of Hinayana Baoyu＇s entering into religion embodies the frame of reference to the original Buddhism. The Buddhist attitude of most girls in “The Dream of Red Mansion” isn＇t pure Buddhism, but that Buddhist culture and a kind of bliss a scholar-bureaucrat experiences in meditation.