摘要
在中国现代文学运动发展史上,《红高粱家族》的出现具有审美转型的深刻意义。作者用“虚构叙事”取代“亲历在场”,用“酒色财气”颠覆“英雄崇拜”,用“灵魂救赎”挑战“旧梦新知”,并以强烈的艺术理性精神,宣告了革命英雄传奇神话的历史终结。
In the history of Chinese contemporary literature development, the appearance of Red Sorghum Clan (1987) has profound significance in aesthetic standard transformation. The author substitutes imaginary narrative for personal presence, overturns the concept of hero worship with wine, women, wealth and temper, and challenges the refreshment of old dreams with soul redemption, proclaiming the historical end of the legendary myth about revolutionary hero with intense artistic rational consciousness.
出处
《湖南大学学报(社会科学版)》
2006年第5期92-97,共6页
Journal of Hunan University(Social Sciences)
基金
湖南省社科基金项目:价值的重估--个体作家现象的现代文学史意义(湘)0407009
关键词
革命传奇
英雄神话
红高粱家族
虚构叙事
酒色财气
灵魂救赎
revolutionary legend
myth of hero
Red Sorghum Clan
imaginary narrative
wine- women - wealth - temper
soul redemption