摘要
影片《胭脂扣》、《人在纽约》、《阮玲玉》构成了导演关锦鹏的女性三部曲。在这些影片中,体现了作为一位男性导演对女性主题的深刻的人文化的关注,对女性的欣赏甚至膜拜,同时他还善于运用各种细腻圆熟、精雕细琢的手法对女性的喜怒哀乐进行书写,构成了独特的女性化的话语诉说,为这些女性谱写了属于她们自己的哀歌、悲歌和挽歌。
Three Movies, Rouge, Full Moon In New York, and Yuen Ling - yuk : Actress, The Center Stage, form the feminine director Stanley Kwan's trilogies. He pays close and humanism attention to feminine topics, and appreciates and even worships femininity in these films. Meanwhile, his minute and proficient careful and precise expression of feminize happiness, angry, grief and joy have constructed unique feminized utterance and complaint. He has composed their own threnody, dirge, elegy that belong to these women.
出处
《宜宾学院学报》
2006年第9期82-84,共3页
Journal of Yibin University
关键词
女性视角
哀歌
悲歌
挽歌
Feminine Perspective
Threnody
Dirge
Elegy