摘要
柳宗元根据他亲自接触和认识的蒋氏,了解了永州人民在永贞革新失败后,在中唐统治者的沉重赋税和残酷的徭役残害下,争相捕蛇以代替赋税的悲惨境况,进而塑造了一位麻木、冷漠的乱世平民的艺术典型,这个不多见的艺术形象,是我国艺术典型长廊中最早的“阿Q”。
Mr Jiang is understood by Liu Zongyuan, according to Jiang's experience, Liu knows about the people of Yongzhou are in trouble, many of them are trough catching snakes in order to replace taxes under the pressure that is oppressive taxes and heavy burthen by ruler in Middle Tang Dynasty after Yong Zheng renovation fails. Liu zhongyuan figures an artistic image that is a numb and distant plebeian, the rare artistic image is the earliest ‘AQ' in artistic long river of China.
出处
《湖南科技学院学报》
2006年第10期43-44,共2页
Journal of Hunan University of Science and Engineering