摘要
少数民族服饰艺术观念构建于原始宇宙观的基础上,并在与之相互作用的过程中实现。在少数民族服饰文化中蕴含的古远原始意象,孕育了少数民族的审美意识和观念,由之形成的形象的精神内核决定了少数民族最初造型观念。以追求情感表现为目的,以感性形象为基础,在经历了重构审美形象的心路历程后,少数民族服饰艺术观念得以构建。
The artistic conception of the minority clothing is constructed on the base of primitive world outlook and accomplished in dualistic reciprocating process. It is the primitive imago accumulated in the minority clothing civilization that gestates the minority' s aesthetic consciousness and concept, and from it forms the spiritual kernel of the images and figures that substantiates the primary formative concept. With the motive of pursuing affective representation, and with the groundwork of the sensible images and figures, after undergoing a spiritual experience in rebuilding aesthetic images and figures, the artistic conception of the minority clothing is constructed at last.
出处
《贵州民族研究》
CSSCI
北大核心
2006年第5期100-104,共5页
Guizhou Ethnic Studies