从拯救到逍遥——由“出走”情节看曹禺早期剧作人文关怀的历程及其局限性

From Salvation to Being Carefree——Viewing the course of humanist concern in Cao Yu's early dramas through the shared plots of "running away" and its limitation

曹禺的四部代表作中共同的“出走”情节,向我们展示了作者人文关怀的历程。它们共同构成了一个完整的“拯救”之环,同时也意味着“上下求索”的终结。作者以后的创作已经没有了那种厚重的拯救和拯救的厚重,一变而为轻松的“逍遥游”。

The common plots of ＂running away＂ in the four representative works by Cao Yu reveal to us the course of humanist concern of the writer. They jointly form a complete chain of ＂salvation＂ and at the same time mean an ending in ＂exploration＂. In his later creations, there was no such graveness of salvation and no such graveness in salvation but a turning to a light-hearted carefree tour.