期刊文献+

西方冷抽象绘画与中国文人画美学思想

Western abstract art and artistic thoughts in traditional Chinese paintings by scholars and officials
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摘要 在当代社会文化中,中西方艺术的发展已呈现相互交融,相互学习的趋势。文章分析研究了西方现代艺术的冷抽象绘画美学与中国传统文人画美学思想之间的相似之处,并认为:西方冷抽象绘画美学包含着中国传统文人画哲学思想和观念,它最值得人们借鉴的是抽象的美,中国绘画艺术可以从它的形式构成以及观念中吸取营养,以丰富中国画内涵。当代艺术家有必要深入了解中西方艺术的观念,探求其内在的交融点,为现代艺术的繁荣做出贡献。 In modem social culture the Chinese art and Western art tend to take benefits or ingredients from each other. The article analyzes the similarity between the modem Western abstract art and the traditional Chinese paintings of scholars and officials. It is found that the philosophical thought and ideas of traditional Chinese paintings are implicit in the Western abstract art, that the abstract beauty of the Westem abstract art manifests itself in its form and ideas, that the Chinese paintings can draw nutrients from the Western abstract art to enrich its content. It is suggested that modem artists have a profound understanding of the artistic ideas in both Chinese art and Western art and seek the beneficial merger to contribute to the prosperity of modem art.
作者 孙群
出处 《福建工程学院学报》 CAS 2006年第5期627-630,共4页 Journal of Fujian University of Technology
关键词 冷抽象艺术 纯造型艺术 一般美 至上主义 中国传统文人画 abstract art plastic art general beauty supremacy traditional Chinese painting by scholars and officials
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参考文献2

  • 1吕 澎.现代艺术与文化批判[M]四川美术出版社,1992.
  • 2(美)赫伯特编,林森,辛丽.现代艺术大师论艺术[M]江苏美术出版社,1990.

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