摘要
“陌生化”理论虽然源自西方,但是对“陌生化”的体验和艺术实践绝非囿于某一时代或某一民族,而是古今中外文艺实践活动中普遍存在的特征。“陌生化”理论也被自觉不自觉地运用于中国古代的小说创作中,从而使中国古代小说具有了震撼人心的审美效果。
As a general principle ," Unfamiliarization" has solid and comprehensive psychological base , " Unfamiliarization" is fully used at every level of art works and embodied in every direction and aspect. " Unfamiliarization" had also been used in the creative writing of Chinese Classical fiction self - consciously or not, so that Chinese Classical fiction has the heartquake aesthetic effect.
出处
《新余高专学报》
2006年第5期61-63,共3页
Journal of XinYu College
关键词
陌生化
中国古代小说
审美效果
Unfamiliarization
Chinese Classical fiction
aesthetic effect