摘要
中国古代文论对“韵”的论说,主要体现在两大领域:一是古典诗论对“韵”的论说,二是古典词论对“韵”的论说。其内容,主要表现在三个维面:一是对“韵”作为文学审美之本的标树;二是对“韵”审美特征与要求的探讨;三是对“韵”的创造与生成的考察。我国古代文论对“韵”的论说,为我们今天更好地把握“韵”的审美范畴提供了学术平台。
The discussion on "yun" (rhyme scheme) in ancient Chinese literary theory mainly embodies two aspects. The first is the discussion on poetry criticism, and the second is the discussion on ci-poetry (a form of classical Chinese poetry) criticism. Its contents mainly embody three aspects: the praise of it as the source of literary aesthetics, the probe of its aesthetic characteristics, and the study of its creation and production. The discussion on "yun" in ancient Chinese literary theory has provided for us a platform of aesthetic category today.
出处
《青岛大学师范学院学报》
2006年第3期5-11,共7页
Journal of Teachers College Qingdao University
关键词
古代文论
“韵”范畴
维面
论说
ancient literary theory
the category of "yun"
aspect
discussion