摘要
文章根据东晋画家顾恺之所提出的“迁想妙得”的审美观点,阐释了审美创造中“迁想妙得”的实质,即在创作中,审美主体必须充分发挥自己的想象力,对所见、所写、所画的对象进行联类想象,进行形象思维,并艺术而又创造性地表现出对象的特点。
Based on the aesthetic viewpoint "Mobile imagination and magical achievement" advanced by Gu Kaizhi, the famous artist of East Jin Dynasty, the paper elucidates the essence of that viewpoint in aesthetic creation: that is, in the process of aesthetic creation, the principal aesthetic part must bring his imagination into full play, associate what he sees, writes and draws with things of the similar kinds, and visualize the images so as to represent the characteristics of the object in an artistic and creative way.
出处
《辽宁科技学院学报》
2006年第3期67-68,共2页
Journal of Liaoning Institute of Science and Technology
关键词
审美
迁想妙得
创作
Aesthetic
Mobile imagination and magical achievement
Creation