水墨动画的意境及其语言局限性

The Poetic Implications of Water-Color Animation and Its Limitations

水墨动画的视觉语言来自于我国千年历史的传统水墨画,传统水墨画的题材、审美情趣和意境必然导入作为视听艺术形式的水墨动画中来。它们之间有根深蒂固的传承关系。同时,作为另一种制作工艺制作的画面,与纸面上的传统水墨画也有表现力的差异。水墨动画作为电影,同时利用时空的表达方式为其艺术感染力添砖加瓦。我们通过对水墨动画构成元素的分析和透视,不仅可以找到其动画语言上的特殊属性,还可以对比关照动画与其它艺术门类在创作与审美之间的差异与可能。

The visual implications of water-color animation originate from traditional Chinese water-color painting. The subject matters,inspector's preference standards and poetic implications of the traditional art would be undeniably intertwined and generalized into water-color animation whose transgression is so deeply embedded with the medium of art. However,as a different art form,water-color animation possesses some different expressive qualities. As a film form,its flexibility of time and space manipulation adds to it a lot of attraction. Through the analysis of its structural elements,we can not only find the special expressive quality of water-color animation,but also its difference from other art forms in terms of its creation and appreciation.