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“子贵母死”与北魏中晚期孝风骤盛及孝子图的刻画 被引量:6

“The Glory of the Son is the Death of the Mother”:The Flourishing of Filial Relations in the Middle and Late North Wei and the Paintings of Filial Sons
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摘要 北魏中晚期盛行选择孝子画像作为墓葬图像刻画在葬具上,笔者认为,大孝子的选择与孝感故事的描绘肇源于北魏后宫围绕“子贵母死”进行的激烈权力斗争,而且是对这一历史事实最直接的图像体现。 The selection of paintings of filial sons as pictures painted on the coffins was a practice pervasive in the middle and late North Wei dynasty. This paper holds that the selection of the pictures of the most filial son started from the power struggle back in the royal courts of North Wei dynasty and was the most straightforward pictorial embodiment of the historical fact of “the glory of the son is the death of the mother.”
作者 邹清泉
出处 《文艺研究》 CSSCI 北大核心 2006年第10期131-138,共8页 Literature & Art Studies
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参考文献2

  • 1胡平生.《孝经译注》,中华书局,1996年版,第34页,第12页,第4页.
  • 2.《北魏孝子画像研究》第一章第二节:硕士论文.,.

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