摘要
叙事风格只是导演风格的一个组成部分。但却是最重要的组成部分。张艺谋拍摄的影片,从《红高粱》到《十面埋伏》,经历了戏剧性的浪漫传奇、故事性的理性纪实、影像性的虚幻诗意的嬗变过程,一步一步从中国电影传统的叙事风格迈向目前世界具有现代性的电影叙事风格。张艺谋在嬗变中逐渐强化了以影像语言为叙事元素的地位,同时也完成了自己向影像本体的回归。
Descriptive style is one part of the producer's character, and it is the most important ingredient. The films directed by ZHANG Yi-mo, Hong C, ao Liang and Shi Mian Mai Fu, experience the legend of the drama, on - the - spot record of the stories and the poetic quality of the images, going step by step from the traditional descriptive style of the Chinese films to the present style with modem smell. During the process, ZHANG Yi-mo gradually strengthens the film language as the descriptive element, meanwhile, accomplishing the return of it's own image.
出处
《河南教育学院学报(哲学社会科学版)》
2006年第3期74-77,115,共5页
Journal of Henan Institute of Education(Philosophy and Social Sciences Edition)
基金
河南省教育厅2003年人文社科课题"张艺谋电影作品特征论"(SKL-2003-918)
关键词
张艺谋
叙事风格
传奇
纪实
诗意
ZHANG Yi-mo
descriptive style
legend
on - the - spot record
poetic quality