百年越剧音乐思想初探——写在越剧华诞百年之际

Preliminary Probe into Musical Thoughts of 100-year Shaoxing Opera—On the 100^(th) Anniversary of Shaoxing Opera

文章回顾了百年越剧音乐“两段”“六期”的发展历程;介绍了初创期马潮水等落地唱书艺人“一念之下”,创造越剧音乐的创举;揭示了转型期施银花等的“一音之差”,实现了音乐体制转换和声腔重构的奥秘;探索了完善期袁雪芬的“一调之改”,完善了越剧女腔音乐机制、丰富女腔内涵的轨迹;勾勒了成熟期刘如曾等将西方音乐的“一技之长”,融于越剧音乐之中,丰富越剧音乐的创作技法,提高创腔能力,促进越剧音乐与西方音乐和谐发展的情景。首次提出了越剧以“四个一”形式体现出来的“音乐资源共享、和而不同”、“可持续发展”、“和谐发展”的“三大”音乐发展思想,是科学的音乐发展思想之观点。

The paper retrospects to two periods and six stages during the development of 100-year Shaoxing opera. It introduces four firsts occurred respectively in stages of initiating, transforming, improving and maturing. It puts forwards that the three musical development thoughts are scientific, namely share of music resource and harmonic diversity, sustainable development and harmonic development.