“人诗意的栖居……”——对海德格尔空间思想的解读

“Poetically Man Dwells…”- A Reading of Heidegger’s Thought of Space

海德格尔对空间的沉思起源于对康德空间思想的现象学解读,他把对空间和时间的揭示纳入到此在的生存结构中:在《存在与时间》中,海德格尔主要是在时间性和周围世界的基础上思考空间,从而把空间放在了从属于时间的位置上。基础存在论本身的内在紧张促使后期的海德格尔在《艺术作品的起源》、《物的追问》、《筑.居.思》等作品中重新拾起对空间的思考,提出两个重要概念——大地和位置。在这两个论题中海德格尔又引出了寓所与栖居。栖居的观念,表达了对空间有限的确认,通过这种确认,人与其逗留的环境之间才会获得一种恰当的关系。

Heidegger＇s space thought derived mainly from Kant＇s concept of space. Heidegger indicates primordial position of space and time in Dasein through phenomenological interpretation of Kant＇s thought of space. In Sein und Zeit however, Heidegger analyzed space on the basis of Temporalitaet and Umwelt, so put space on the subordinate position. After die Kehre Heidegger renewed deliberation of space in Der Ursprung der Kunstwerkes, Die Frage nach dem Ding and Bauen Wohnen Denken etc. and put forward two important terms： earth and Ort. In analysis of these two words, Heidegger particularly analyzes building and dwelling. The notion of dwelling expresses an affirmation of spatial finitude. Through this affirmation one acquires a proper relation to one＇s environment.