黑白之道浅议——从黑白木刻谈起

About the Principle of Black and White——From the black and white woodcut

本文以中国文化中的玄冥二色“黑白”为大前提,着力于探讨和体现黑白木刻的独特魅力;分别从黑白木刻的哲学观,黑白木刻的木与刀的涵咏性,黑白木刻艺术家的生存状态,黑白木刻文化艺术生态的角度来论述,提出在新世纪,重新焕发黑白木刻的社会审美价值。

The author of this thesis discusses the unique charm of the black and white wood-engraving from four parts: the philosophy idea of the black and white in the black and white wood-engraving work, the feeling of wood and cutting in the black and white wood-engraving work, the status quo of the artist of the black and white wood-engraving and the environment of art about the black and white wood-engraving. And the author hope, in the new century, the black and white wood-engraving can radiate anew its social aesthetic value.