论作为《诗刊》主编的臧克家

Zang Kejia as Chief Editor of Shi Kan

臧克家任《诗刊》主编时,显示出融参政、学术、文学或官员、编辑、诗人三位一体的主体性质和社会角色。笔者从零碎的材料“串联”出的微言大义中发现,在文学权力者“收编”桎梏缝隙中生存的臧克家,并没有分享到决定性的权力,在主持《诗刊》工作时陷入一种身份认同危机。在私人空间、公共空间的写作和言说都处在权力的阴影之下,他担任《诗刊》主编的意义在于它展示了复合型主体在诗歌、政治的合力共振中对文化建设所产生的正、负效应。

In his position of the chief editor of Shi Kan, Zang Kejia exhibited the subject character and the social role of the trinity of the participation in government, academia and literature or that of an official, editor and poet. The present paper strings together miscellaneous deeply-meant sublime words and brings forth the fact that Zang, ＂incorporated＂ by the literary power and existing in the gap of shackles, did not enjoy his share of the power of decision. He was in a crisis of identity identification during his officiation of Shi Kan. Both his provate and public writing and speech were in the shade of power. The meaning of his position as the chiefeditor lies in the manifestation of the positive and the negative effect that a compound subject made to the culture in the resultant resonance of poetry and politics.