摘要
在一个建筑师迷失于充当引导者的时代里,在一个“视网膜”化的建筑世界里,本文希望通过解读瑞士著名建筑师彼得·卒姆托的作品之一——布雷根兹美术馆,对我国目前日益扩张的城市建设和普遍存在的复制与拼凑建筑潮流形成一种抵抗。
This is the cpoch when architects lose themsclves and regard themselves as guides and this is an architectural world that architects eagerly present interior plans and flashy stories under the guise of concepts.Through the particular study of the Bregenz Art Muscum of Peter Zumthor,who is one of the most important architects in Switzerland,the author hopes.it to be a resistance to the current increasingly expanging city construction and the creation tendency of replicating and piecing together buildings ubiquitously in china.
出处
《城市建筑》
2006年第2期34-37,共4页
Urbanism and Architecture