海南儋州调声和黎族民间乐器的传承与发展

The Toning in Danzhou,Hainan Province and the Inheritance and Development of the National and Folk Instruments of the Li Nationality

儋州调声不仅地方特色鲜明,而且时代感强,应在继承其传统的基础上加以创新和发展。每一民族乐器,在其型体、结构、演奏技巧、音乐等方面,都存在着固有的民族特色,他们的种种功能,正是为了表现民族音乐色彩实际需要存在的。任何传统的“风格”都不是一直凝固不变的。从民族乐器美学、表演艺术、技法流派,直至形体结构都是不停地改进、发展、创新、完善的。某一时期的乐器发展,必然体现该时期音乐文化的特点和发展趋势。

The toning in Danzhou has bright characteristic and strong modernity as well. It needs innovation and development on the basis of the inheritance of tradition. Each national musical instnunent has inherent national characteristic in the aspects of its body, structure, performance skill, and music. All sorts of their functions exist precisely for the display of the actual needs of national music. Not all traditional ＂styles＂ is coagulate continuously and invariably. From the esthetics of national musical instrument, performing art and technique school to the physique structure, the style does not Stop improving, developing, innovating and consummating. The development of musical instruments in a certain period inevitably manifests in the characteristics of the change and development of the music of the time.