执着真我——徐渭的文学本色论

An Obsession of a Real Me—on the Natural Colour of Xu Fu's Literary Works

徐渭在复古主义盛行的明代中期,大胆地替南戏张目,提倡本色,反对模拟因袭和以时文入戏,继承和发扬了前人的“本色论”。以自我表现与自我宣泄为核心的个性意识,也全面地展现在他本于自然之旨并以“真”为核心的“本色论”中,是唐宋派本色论到公安派本色论的桥梁。

In the middle period of the Ming Dynasty in which the doctrine of back to the ancients was in full swing, Xu Wei boldly boosted the Nan Opera, advocated the natural colour and combated imitation and writing the play using prescribed essay form for the civil service exams so as to inherit and carry forward the doctrine of natural colour of his forefathers. His individualism focusing on self-expression and self-catharsis is also fully manifested in this doctrine based on naturalness and focusing on ＂real＂, which has built a bridge across the theories of natural colour held by the Tang and Song School and the Gongan School.