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申克理论的作图技巧 被引量:4

Graphic Techniques of Schenkerian Theory
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摘要 申克理论作图一直是理论学者研究其理论的重要内容之一。经过几十年的发展研究,申克理论作图更加趋于完善。如何作出一个图更符合申克本人的理论思想,以及作图的根据来自哪里。本文主要介绍一些申克理论发展的背景,通过例子分析来讲解一些作图的方法和步骤,及阅读申克理论作图时的一些问题等。 The analytic graphics has been an important component of Schenkerian theory that continues to be explored by theorists. Years of study and development have helped to bring Schenkerian theory closer to perfection. How to create an analytic graph that better bears out Schenkerian theoretical thoughts and what is the foundation of analytic graphics. This article aims to provide a brief introduction of the background against which Schenkerian theory has evolved, to explain some analytic graphics methods and measures through case studies as well as relate to issues arising from the reading of Schenkerian analytic graphics.
作者 胡彭
出处 《黄钟(武汉音乐学院学报)》 CSSCI 北大核心 2006年第4期26-32,共7页 Huangzhong:Journal of Wuhan Conservatory of Music
关键词 申克 申克理论 作图 《自由作曲》 Heinrich Schenker( 1868 - 1935 ) Schenkerian theory analytic graphics, Free Composition
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参考文献9

  • 1Beach, David. "The Current State of Schenkerian Research. " Acta Musicologica, Vol. LVII( 1985), pp. 275 - 307.
  • 2Cadwallader,Allen and Gagne,David. Analysis of Tonal Music: A Schenkerian Approach, Oxford: Oxford University Press.1998.
  • 3Forte, Allen and Steven E. Gilbert. Introduction to Schenkerian Analysis. New York: W. W. Norton, 1982
  • 4Jonas,Oswald. Introduction to the theory of Heinrich Schenker. Vienna: University Edition, 1934.
  • 5Trans. and ed. John Rothgeb: NewYork: Schirmer, 1982.
  • 6Salzer,Felix. Structural Hearing. New York: C. Boni, 1952
  • 7Schenker, Heinrich. Free Composition, trans, and ed. Ernst Oster. New York: longman, 1979
  • 8Schenker, Heinrich. Five Graphic Music Analyses, New York: Dover Publication, Inc, 1969
  • 9于苏贤.申克音乐分析理论概要[M].北京:人民音乐出版社,2001.1第二版.

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