摘要
为了探寻襄樊市南漳薛坪镇古楚民俗歌舞——《扛神》的文化内涵与生存状况,笔者对此进行了实地田野调查工作,获取了部分音乐、文字资料和民间艺人的口述材料,从中发现《扛神》与荆楚歌乐的《楚辞.九歌》、《沮水巫音》、《曾侯乙编钟》等,除在社会意识形态上有着共同的思维模式以外,更多的在音乐行为“崇巫”、“尚徵”“曲体结构”的表现特征上,是一脉相承的。
The Kangshen is a kind of ancient chu folk-custom singing and dancing popular in Xiangfan area. The writer made field investigation to explore the culture meaning and existed status of kangshen, from part of data of music and literature as well as the folk actors dictated materials, the writer found out that the Kangshen was similar with the song music popular in Jingchu area, not only at the same mode of thinking in societal ideology, but more showed the features of music that come down in one continuous line.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2006年第4期64-70,共7页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
扛神
崇巫
尚徵
曲体结构
古楚腹地
荆楚歌乐
kangshen, demonolatry, shangzhi, structure of music, the ancient hinterland of chu, song music popular in Jingchu