田同之诗论与康乾之际山左诗学思想的嬗变

Tian Tongzhi's Poetics and Evolvement of the Poetics Theory in Shandong during the Period of Kangxi and Qianlong

清代康熙至乾隆初期,山左诗歌空前繁荣,诗学思想亦相当活跃。田同之于康乾之际神韵说风流云散之时,“笃信谨守,乃在新城王公”,极力维护和鼓吹神韵说。同时,他又受到家学传统的影响和德州乡邦诗风的浸染,十分推重杜甫。各种因素的合力,使他立于沉实与清远两种诗学旨趣的交汇之处。透过他的诗论及其与诗界的前后钩联,可以寻觅到康乾之际山左诗学思想的嬗变痕迹。

From the period of Emperor Kangxi to the initial stage of Emperor Qianlong in the Qing Dynasty, poetical writing flourished unprecedentedly in Shandong, and thoughts on poetics were, too, under full swing. Tian Tongzhi went in for literature just in this period when Wang Shizhen＇ s doctrine became out - dated. However, Tian still tried his best to advocate Wang＇ s doctrine, and at the same time cherished greatest esteem for Du Fu, as a result of the fact that he was influenced by the tradition his ancestors had done researches in and the hometown poetic style of Dezhou. From his poetics and his relation with the circle of the then poets, the evolving trace of poetry theory in Shandong during the period of Kangxi and Qianlong is to be traced.