人·女人·民族:40年代女性小说的主体意识

Humankind,Women,Nation: the Mainstream of 1940s China Women's Fictions

40年代中国特殊的战争背景使中国的女性文学主流走上了一条在取材与主题上都与男性文学趋同的道路,女性作家的创作也不同程度地出现了女性意识淡化或女性书写雄化、无性化的倾向。但是,她们追寻“五四”先驱的脚印,创作了一批富于“性别批判”内涵的文本。尽管在强大的民族国家语境中,她们的创作只能处于边缘位置,甚至受到一些不公平的待遇,但她们的存在毕竟丰富了文学的发展,为女性解放和女性文学的进步做出了独特的贡献。

1940s China Civil War forced the mainstream of then women＇ s fictions to share the same concern and theme with men writers. The obvious proof in their works is the focus on description of heroism and elimination of sex distinction, which contributed a plenty of texts to ＂sex criticism＂, though their creation was comparatively marginal, and even met some unfair treatments.