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丘逢甲诗歌主题的三重奏与主旋律

The Trio and Melody of Qiu Feng-jia’s Poetic Theme
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摘要 在甲午战争后的海峡两岸诗坛上,丘逢甲是一位成就丰硕、风格鲜明和影响深广的重要诗人。他以台湾为母题的大量诗作,回荡着爱国主义主旋律,形成了痛哭台湾沦亡、思念故土亲人和切盼收复失地三大主题的交织与重奏。在中国近代文学史上,有着首开日据时期台湾文学先河,显示诗界革命实绩,推进主流诗歌创作的重要地位与作用。 In the poetic world of both sides of the Taiwan straits after the Sino-Japanese War of 1894-1895,Qiu Feng-jia was a productive and greatly influential poet. A great number of his poems about Taiwan teem with the patriotic melody and consist of the mixture and the trio of weeping for the occupation of Taiwan, missing relatives in homeland and longing for recapturing the lost Taiwan. His poems paved the way for Taiwan's literary in the time of occupied Taiwan, indicated the revolutionary achievement in the poetic world and played an important role in giving impetus to creating poems. As a national fighter's valuable spiritual traditions and literary heritage in Taiwan, Qiu Feng-jia's poems still have strong realistic significance now.
作者 陶德宗
出处 《重庆三峡学院学报》 2006年第5期47-50,共4页 Journal of Chongqing Three Gorges University
关键词 丘逢甲 诗歌 主题 主旋律 情结 精神 意义 poetry theme melody feelings spirit significance
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参考文献3

  • 1黄遵宪.与梁启超书.徐中玉编.近代诗词文[M].广州:广东人民版社,2004.
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  • 3柳亚子.论诗六绝句.《20世纪中国近代文学研究》[M].北京:北京出版社,2000.

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