论唐近体律诗对永明体的改进

On the Improvement of Tang Poems with Rhyme Schemes on Yong Ming Style

相比而言,齐梁永明之前,诗歌的创作主要是“外部研究”,注重诗歌内容,强调诗、乐、舞的二维或三维的统一;自永明后转向“内部研究”,注重诗歌形式,诗歌回归自我,关注文本、语言形式本身。唐近体格律诗对永明体的改进主要表现在对偶和声律上:1、声律规则的二元化;2、联与联之间的“黏”;3、不拘泥于大小韵;4、取消傍纽、正纽之界限。

In comparison, poetic creation prior to Yong Ming was mainly external for its emphasis on the content and two or three - dimemional integration of poems, singing, and dancing. After Yong Ming Dynasty, however, it swung to the opposite side： internal study which stressed the form and text itself by returning to the self. After dose study of poems the paper believes that Tang poems with rhyme schemes represented its improvement on Yong Ming style in symmetry and rhymes, they are： duality of its rhyme schemes, ＂Nian＂between couplets, not being confined by big rhymes and small rhymes, disappearing of the boundary between ＂Bangniu＂ and ＂Zhengniu＂ .