摘要
熊秉明的雕塑作品《孺子牛》立足于中国传统文化艺术根基,将东方式的写意精神与西方式的相对写实融为一体,具有鲜明的中外文化交融的特征。《孺子牛》的创作既体现了全球化背景下文化艺术发展的历史必然,也体现了一个重实践的学者、一个修养深厚的艺术家对对雕塑艺术的高度负责。它以巨大的精神含量﹑丰富的艺术内涵带给人们的是对艺术与传统﹑文化与审美的反思。
Based on the root of traditional Chinese culture and art, the image of Xiong Bingming's sculpture "ox" combines the oriental artistic, technique of expression with the occidental relative realism, vividly displaying the features of the integration of Chinese and foreign cultures. The creation of "ox" embodies the historical inevitahility of the development of culture and art in the context of globalization as well as the scholar and sculptor's responsibility for the art of sculpture. Its tremendous spiritual content anti rich artistic connotation provide people with reflection on art and tradition, culture and aesthetics.
出处
《南通大学学报(社会科学版)》
2006年第6期112-115,共4页
Journal of Nantong University:Social Sciences Edition