陈其钢管弦乐组曲《五行》的音响结构

Acoustic Structure of the Orchestral Suite "The Five Elements"

管弦组曲《五行》根据中国传统五行学说分为“水木火土金”五个乐章,音响色彩的对比和展开成为控制全曲曲式结构的主要思维方法和手段,同时音乐音响素材的相生相克形成了结构的深层动力。陈其钢始终坚持自己的个性,用最精致的手段,创造最精美的形式,表达最直接的内心感觉。在陈其钢的作品里,我们看到了老庄哲学中的艺术本体论和西方唯美主义的自律论的自然结合。从这点来说,陈其钢属于中国,更属于世界。

The orchestral suite ＂the Five Elements＂ consists of five movements according to traditional Chinese theory of five elements. The contrast and manifestation of acoustic color become the main thinking mode that controls the structure of the whole suite. Chen Qigang always sticks to his personality and uses the most exquisite means to create the most exquisite form, expressing the most direct inner feelings. From Chen＇s works, we can see the natural combination of art ontology in Laozi and Zhuangzi＇s philosophy and the western aesthetics. Seen from this point, Chen Qigang belongs to not only China but also the world.