摘要
《审美的人》是美国女学者埃伦.迪萨纳亚克的著作,在该书中,作者明确提出了对待艺术的生物学美学视角,即物种中心主义艺术观。该艺术观认为人类天生就是审美的和艺术性的动物,艺术是人性中的生物学进化因素。
Ellen Dissanayake in her Homo Aesthetics brings up the concept of species-centrism in art, that is, treating art from the perspective of biologic aesthetics. Dissanayake holds that human beings are creatures born with aesthetic and artistic orientation and art is an evolutionary factor in human nature.
出处
《云南师范大学学报(哲学社会科学版)》
CSSCI
2006年第6期16-20,共5页
Journal of Yunnan Normal University:Humanities and Social Sciences Edition