对古典“帖学”史形态的反思与“新帖学”概念的提出

A Reflection on the Morphology of Classical “Model Calligraphy” and the Concept of “Neo Model Calligraphy”

“帖学”在遵奉二王与魏晋风度的同时,却因为图像印刷技术落后而不得不采取刻帖与墨拓方式,其实已经在本质上异化了“帖”本身。它的结果是后人在看二王法帖时,对线条取墨拓式的平面化处理意识与理解角度。这给我们今天重新创造“新帖学”提供了极好的历史机遇。换言之,我们可以凭借当代印刷术极为发达的有利物质条件,对曾被长期误读的“旧帖学”进行改造,并且以把握、理解古典法书线条为契机,重新构筑起一个“新帖学”的当代书法创作新标杆,并以此来展现当代学者与创作家们所具有的深度思考与历史逻辑的理性力量。

Complying with the norm of the two Wang's and that of Wei and Jin Dynasties in times when carving and ink rubbing had to be adopted for want of image printing technology,model calligraphy,in effect,suffered an essential alienation from the “calligraphy model” itself.As a result,later generations with copies of calligraphy model before them can only develop a rubbing-like plane processing consciousness and understanding of the lines.This is where we see a great chance for creating “neo-model calligraphy” today.In other words,we can take advantage of the advanced modern printing technology to reform the long misread “old model calligraphy”,and,on the basis of grasping and understanding the lines of classical calligraphy,to reconstruct a new norm of model calligraphy for the contemporary time.By this it is possible to demonstrate the rational power of contemporary scholars and calligraphers who have deep thought and historical logic.