旧东北傻子故事里的关东民间意识

The East to Shanhaiguan's Folk Ideology in Ninny's Story of Old North-east

关东(或者说是旧东北)由于地理文化和历史文化的缘故,经过了相对漫长的历史积淀,在这块土地上形成了一种独特的地域性的民间文化。作为一种独特的地域文化符号,傻子在旧东北的民间文化和民间故事中,就常常扮演了重要角色。例如在现在的东北二人转中,傻子就仍然是一个重要的角色人物和戏剧故事要素。而既然是旧东北或者老关东的一个重要文化角色,傻子也就必然性地带上旧东北民间社会所赋予的许多文化意义。这些符号化的象征意义包括:旧东北农民的朦胧的阶级对立意识;缺少文化的农民对文化知识的矛盾心态;作为社会最下层的劳动群体对社会公平的深层渴望。对于旧东北农民透过傻子这个符号所传达出来的文化动机,我们既需要理解,也需要批判。

For the sake of geographical culture and historical culture, the East to Shanhsiguan （or old North-east） has gone through relative long deposit, and form a kind of unique folk culture. As the unique cultui-e symbol, ninny usually plays important role in the old North-east＇s folk culture and folk story. For example, ninny is still an important role and theatric story-factor in Er Ren Zhuan Opera. Since ninny is an important culture role, ninny inevitably partakes much culture＇s meaning what the old North-east＇s folk society embodies. These signs＇ symbolic meanings include the obscure class-antagonism ideology of the old North-east peasants, uneducated peasants＇ contradictory attitudes towards knowledge, and ninny as proletariat longing for social justice. To the culture motivation through the sign of ninny, we should not only understand it, but also express our criticism.