期刊文献+

石阡木偶戏的戏班组织与传承 被引量:10

The Structure and Inheritance of the Theatrical Troupe for Puppet Show in Shiqian
下载PDF
导出
摘要 从社会文化的角度来看石阡木偶戏,它有三个构成因素:即物质构成、形态构成和社会构成。其社会构成最典型的标志就是它的戏班组织。在对石阡木偶戏作民族音乐学的整体研究时,之所以着眼于其戏班组织,及其内部结构、外部关系和传承方法及仪式等,是因为它首先是一种石阡民间历史文化衍变的产物,具有历史学意义。同时,通过对其戏班的详细观察,将有助于回答其音乐本体生成的原由等问题。 Watching the puppet show in Shiqian from the social cultural angle,we can find that it has three component factors--material component, shape component and social component. The most typical symbol of social component is the organization of its theatrical troupe. In the whole study of the ethnomusicology to the puppet show, why focuses to its theatrical troupe organization, its internal structure, external relation, the inheritance way and ceremony, is that it is the product which one kind of Shiqian folk historical culture evolves firstly and has the history study significance. At the same time, through the detailed observation of its theatrical troupe, it will be helpful to reply how its music was created and the like.
作者 张应华
出处 《贵州大学学报(社会科学版)》 2006年第5期106-113,共8页 Journal of Guizhou University(Social Sciences)
关键词 石阡木偶戏 戏班 内部结构 外部关系 传承方式 传承仪式 Shiqian puppet show theatrical troupe internal institution external relation inheritance way inheritance ceremony
  • 相关文献

参考文献1

  • 1[4]Bloch,M.1986,From Blessing to Violence:History and Ideology in the Circumcision Ritual of the Merina of Madagascar,Cambridge:Cambridge University Press.8-9.

同被引文献129

引证文献10

二级引证文献19

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部