摘要
中国传统吉祥图像是在继承神话思维生命一体化认知的基点上,经过自觉的图像思维的交织,将物化情感寄托于图像之上并定势化、模式化发展的结果。它是一种独具东方神韵的真正的象征型艺术,其象征意象的审美判断、审美价值构成了它特有的审美惯例、审美尺度。这种古老的民族传统艺术在与现代融合重组的过程中散发着独特的个性,焕发出新的生命。
Based on an inheritance of the recognition of life integration in mythological thinking, the traditional Chinese auspicious image was produced through conscious interweaving of image thinking, putting materialized emotions into the image, and then making it stereotyped as a medel. It is truly a kind of unique Oriental symbolic art, and its symbolic image's aesthetic judgments and values consist of its special aesthetic practices and standards. Such an old traditional national art is sending out its distinctive individuality and taking on a new life in its course of mingling with modem elements.
出处
《华东师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2006年第6期95-98,共4页
Journal of East China Normal University(Humanities and Social Sciences)
关键词
吉祥图像
生命一体化
生态环境
审美尺度
审美价值
auspicious image, life integration, ecological environment, aesthetic standard