摘要
清末民初大诗人陈三立的诗,或被推崇为一代宗师、诗坛领袖,或被看作是为古典诗作了体面收束,这其实关系到如何看待旧体诗的命运。本文分析陈三立源出众家,古风受韩愈影响,其浪漫色彩似李贺,其绸缪悱恻又似龚自珍。在句法方面受黄山谷影响较大,然求起句之奇,求对仗之反差,或一句含多层意,则自成面目。比拟新奇,炼字精警。诗风奥莹坚苍,朴厚清奇,故能独成大家,他所代表的同光体是新变之体,其成就启后人以无数法门。
Mr.Chen Sanli,a great poet al the cross of the Qing Dynasty and Chinese Republic,was respected as a literary master of no equal in his time,or as the leader in the poetic circles then,for he had made a dignified conclusion to the classic Chinese poetry.In fact,all these evaluations were related with how to evaluate the destiny of the classic Chinese poetry.This text analyzes Mr.Chen's poetry,and points out its origins of Han Yu (韩愈), Li He (李贺) and Gong Zizhen (龚自珍);moreover,Huang Tingjian (i.e.黄山谷) also affected him in po- etic syntax.He was an outstanding representative of the new poetic school of Tongguang (同光体),giving a lot of precious teachings to the posterity.
出处
《文学遗产》
CSSCI
北大核心
2006年第6期114-120,共7页
关键词
陈三立
诗艺
创新
Chen Sanli(陈三立)
poetic art
innovation