李商隐“无题”诗和莎士比亚“十四行”诗意象主要表现形式之比较

The Comparison between the Main Approaches to Images of Li Shangyin's Untitled Poem and that of Shakespeare's Sonnet

李商隐“无题”诗和莎士比亚“十四行”诗分别在中国与英国抒情诗的历史上占有重要地位。本文拟从诗歌的意象着手,来探讨二者诗歌中意象共同的主要表现形式——潜沉的意象和扩张的意象在诗歌中相同和不同的表达,并简单梳理造成这些差异背后作者所处的不同时代和文化背景。

Both Li Shangyin＇s untitled poem and Shakespeare＇s Sonnet play very important role in the history of lyrical poetry in China and England respectively. In light of image, this paper expounds the same and different ways of the main approaehes of the two kinds of poems, that is, the latent image and the outstretched image. Furthermore, in correspondence with their difference, it briefly lists their different ages and cultural backgrounds of the two authors.