“矛盾修饰”与乡土文学的表现艺术

Oxymoron and the Subject Matter About Native Literature

对于20世纪20年代的乡土文学来说,鲜明的题材特征并没有带来明确的意义属性或审美内涵,其原因在于由于乡土作家在反映、描写以及对待乡土生活、乡土气息等各方面都存在着某种“矛盾心理”,并且在表达艺术和写作技巧方面对于乡土题材进行了“矛盾修饰”。尽管“矛盾修饰”削减了题材特征与文学主题之间相互联系的紧密性,但是对于进一步深化理解乡土作家的创作观念以及乡土题材的意义属性来说,“矛盾修饰”具有独特的“视角”价值。

Contrasted with a marked characteristic about the subject matter, native literature in the 1920s did not have a distinct theme, as to its reasons, the author of this paper believes that most of the literary works are mutually contradictory in many aspects such as how to describe and reflect the rural life and what subject matters should be ehoosen and so on. Although the feature of oxymoron appears to weaken its related literary theme and the spirit of the works, the oxymoron itself is a particular angle of view so far as widening one＇s vision to better understand native literature is concerned.