摘要
我国戏台数量之多,分布之广,决定了它们在装饰内窖上的丰富和庞杂。纵观我国古代戏台产生和演变的过程,戏台的装饰也呈现出由简入繁,由少至多的发展脉络。
There exist so many traditional stages country wide in China, decorations of those stages thus become very abundant and complex. Research into the history of Chinese stages, we could see that decorations of traditional stages were evolved from simple to complex, from little to more.
出处
《中国建筑装饰装修》
2003年第1期38-43,共6页
Interior Architecture of China