摘要
从表面上看，杨冕只是在架上绘画中直接把广告形象搬上画面，或者用商业绘画的手段来造型。实质上，杨冕有着明确的指向，即一种文化评论式的主题追求。
At a glimpse, what YANG Mian has done is only to move the advertise image from drawing easel to screen, or, shape by business drawing methods. But in fact, he has his own clear direction, namely, purchasing for themes with a method of cultural criticisim.
出处
《中国建筑装饰装修》
2003年第8期182-183,共2页
Interior Architecture of China
