摘要
一直以来,支持建筑文化发展的动力归根结底分为两个方面,一是物质技术,二是精神文化。当以形式服从于功能为美学原则的现代主义建筑发展到技术至上的时候,建筑设计过渡到后现代主义是建筑文化发展的必然趋势。与现代主义相比较,后现代主义更多地是从建筑设计的外表和形式上用模糊多元的方式来弥补现代主义建筑对功能性的一味推崇而导致的缺陷,在根本上却依然没有改变现代主义建筑实质性的东西。在二十一世纪全球化的今天,建筑设计应从自己的生存环境中寻找新模式。
For a long time, the power to support development of construction culture can be concluded to two aspects,one is the material technology, the other is spiritual culture. When the Modernism architecture that the form obeys function as esthetics principle has developed to the technology is supreme, the archi tectural design transits to the Post modernism have to be an inevitable trend Compares to the Modernism, the Post-modemism makes up the flaw of Modernism architecture worship the function always, by the way of the appearance of architectural design and the vague and multiplied architectural form more. but it can not change the esteem of modernism architecture. In the 21st century, we face the globalization, the architec ture design should seek the new pattern from own survival environment
出处
《中外建筑》
2006年第2期32-34,共3页
Chinese & Overseas Architecture
关键词
后现代主义
建筑设计
折衷主义
兼容性
多元化
the Post-Modernism,archtectural de-sign,eclecticism,compatibility plurality