从《越狱》到越“域”——艺术表意:影视VS建筑

From Prison Break to “Rail” Break——Expression of Art: Movie VS Architecture

该文探索了建筑与其他艺术形式(尤其是影视)在表意方式上的差异。首先,由艺术的心理暗示效应入手,引用实例,将影视《越狱》同建筑“水的教堂”作假设中的映射式阅读,试图寻找建筑语汇与影视情节上的关联。其次,通过对以上作品创作方式的差别进行分析,提出其对建筑设计中“追新”、“求异”的“个性式”创作态度的启示。最后引入美国学者拉普卜特的论作,对建筑作品的“立意”,以及“象征论”、“符号论”作出反思。

The article explores the differences of expression approaches belween architeclure and other forms of art, especially movie. Firstly, based on the hypnotic effect of art, the samples, which are the movie Prison Break and the architecture Church on Water, are inducted and read as a hypothetical enantiotropy, in order to look for the relation between architectural language and movie scenarios Second, through the analysis of the contrast belween the creative manners of the works mentioned above, its revelations on the creative altitude that emphasizes individuality are brought forward. Finally, the author quotes the argumentation of American scholar Amos Rapoport, and arouses introspection on the conception and symbolism in architeclure works.