摘要
文章首先提出了“中国式”和“中国性”这两个概念,“中国式”即所谓住宅的中国样式,随着社会的变革和人们生活的变化,“中国式”已经荡然无存;而“中国性”则仍然存在,因为它是一种居住和生活方式的意向,文章分析了建筑师王昀设计的庐师山庄A+B住宅,认为设计中表现的“单纯和复杂同构”,实际是建筑师向我们呈现的一个戏剧性的场景,而这便是作者认为的中国意向住宅。
The author first puts forward the difference of two concepts, one is ＂Chinese style＂ which in the authorg opinion is no longer existing because of the changes of society arid people＇s life style： the other is ＂Chinese Character＂which is an intention of ways of living and will last for a long time.Then the author analyzes House A ＋ B of Lushi Villa designed by architect Wang Yun and points out that ＂combination of purity and complexity＂ represented in these houses is both a dramatie scene created by the designer and a Chinese intention of residence.
出处
《时代建筑》
2006年第3期102-107,共6页
Time + Architecture
关键词
单纯与复杂
同构关系
中国式
中国性
戏剧场景
Purity and Complexity, Combination, Chinese Style, Chinese Character,Dramatic Scene
