摘要
扎哈·哈迪德的设计方案在广州歌剧院的竞标中夺得第一名,并引起建筑界的广泛讨论。试从哈迪德独特的建筑形式、女性建筑设计师身份以及她的设计理念在广州歌剧院中的体现等几个方面切入,分析这位杰出的女性解构主义建筑大师的独特设计风格,同时将广州歌剧院方案与她的其他作品相比较,对一些关于啥迪德的普遍观点加以阐述。
Zaha Hadid won the competition of Guangzhou Opera House, and her design caused warmly discussion. The article tries to analyze the particular design style of this remarkable deconstruction architect from the breakthrough points such as her special architecture form, her identity as a female architect and her design ideas in Guangzhou Opera House, while comparing this project to her others.
出处
《新建筑》
2006年第4期45-47,共3页
New Architecture
关键词
无重力
动态
女建筑师
城市文脉
non-gravity, dynamic, female architect, urban context
